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  Up Island

  A Novel by

  Anne Rivers

  Siddons

  Contents

  E-book Extra

  Family Binds: A Reading Group Guide

  Dedication

  Epigraph

  Walden

  Chapter One

  You know how people are always saying “I knew it…

  Chapter Two

  Her name was Sheri Scroggins. She was an assistant attorney…

  Chapter Three

  Tee did not, after all, come and talk to Teddy…

  Chapter Four

  In the days after my mother died, I had the…

  Chapter Five

  Livvy picked me up at the stark little airport that…

  Chapter Six

  The next morning I woke with my head buried under…

  Chapter Seven

  The house stood in full sun on the slope of…

  Chapter Eight

  It couldn’t have been more than a minute’s walk back…

  Chapter Nine

  The day I moved was thick and gray; last night’s…

  Chapter Ten

  When I woke the next morning, I knew before I

  Chapter Eleven

  I have always been infamous in our family for delayed reactions.

  Chapter Twelve

  The caterpillars and the old men at Alley’s General Store…

  Chapter Thirteen

  For a while after that, my father went to the…

  Chapter Fourteen

  I stayed at Dennis’s all that night and for much…

  Chapter Fifteen

  Easter was as late that year as I can remember,…

  Acknowledgments

  About the Author

  Books by Anne Rivers Siddons

  Critical Acclaim for Anne Rivers Siddons and Up Island

  Credit

  Copyright

  About the Publisher

  E-book Extra

  Family Binds: A Reading Group Guide

  Up Island by Anne Rivers Siddons

  “My generation of women didn’t have any notion that we’d ever have to take care of ourselves. When something like a divorce happens, it’s devastating.”

  Topics for Discussion

  1. What role do the swans, Charles and Di, play in the lives of each of their human caretakers? What do they represent for Luzia, Bella, Tim and Molly, respectively? And what do they give back to the humans in return for food? Why do you think Tim and Luzia are able to communicate with the swans better than anyone else? What is the significance of the fact that they are a rare breed of mute swans?

  2. When Molly’s mother dies, her ghost begins visiting, first Molly, and then Tim, in their dreams. What is Belle’s ghost trying to say to them? What does she want? And does she get it? What does Belle’s hat mean to Molly when she first arrives on Martha’s Vineyard? What does the hat come to mean for Molly?

  3. What kind of understanding of “family” did Molly inherit from her Mother? Did it change when Molly had a family of her own? How does her up island experience change her notions of family, and in what ways? How might her new understanding help her cope with loss and her husband’s betrayal?

  4. Livvy says to Molly, “that’s what middle age is, one loss after another…Didn’t anybody ever tell you?” All of the people in Molly’s Vineyard “family,” her father, Dennis, Bella, Luzia, and herself, suffer from one or more devastating losses. How do they each cope differently with their losses? What enables each of them to ultimately find renewal and hope?

  5. Molly muses that her son Teddy was not losing his father from the divorce, “only I was losing. From the perfect skin of The Family, only I was being ejected. How could that be?” How does her separation and potential divorce from Tee irrevocably alter her relationships with her children, friends, and parents as well? How is it that only she “was losing?” And does that still hold true by the end of the novel?

  6. Molly agrees to stay in the small up island cottage on the condition that she is not required to become emotionally involved with the Ponders and their mysterious quarrels and struggles. What is it that draws her into the lives of her wards? When does Dennis Ponder cease being an abstract cancer patient and become “real” in her eyes? What kind of relationship do Dennis and Molly arrive at by the end of the novel? How would you characterize it?

  7. “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” What is the significance of Thoreau’s passage for Tim, Dennis and Molly?

  dedication

  This book is for Ginger Barber,

  and high time

  epigraph

  I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.

  —HENRY DAVID THOREAU,

  Chapter One

  YOU KNOW HOW PEOPLE ARE always saying “I knew it by the back of my neck” when they mean those occasional scalding slashes of intuition that later prove to be true? My mother was always saying it, though she was not always right. Nevertheless, in my half-Celt family, the back of one’s neck is a hallowed harbinger of things to come.

  I first knew my husband was being unfaithful to me, not by the back of my neck, but by the skin of my buttocks, which, given the ultimate sorry progress of things, was probably prophetic. I always thought it was grossly unfair that Tee got all the fun and I got dermatitis of the posterior, but there you are. According to my mother, again, it was a pattern we had laid down in stone in the early days of our marriage.

  I had been having fierce itching and red welts off and on since Christmas, but at first I put it down to the five-pound box of candied ginger Tee’s boss sent us and a savage new panty girdle that enabled me to get into my white beaded silk pantsuit. Later, when the itching and welts did not go away, I switched bath soap and body lotion, and still later had the furnace and air-conditioning unit cleaned and found some plain, unbleached cotton sheets for our bed. Still I felt as if I had been sitting in poison ivy, and often caught myself absently scratching in public as well as private. Teddy, my eighteen-year-old son, was mortified, and my best friend, Carrie Davies, asked me more than once, her elegant eyebrow raised, what was wrong. Tee would have teased me mercilessly, but he was not around much that winter and spring. Coca-Cola was bringing out two new youth-oriented soft drinks, and Tee and his team were involved in the test marketing, which meant near constant travel to the designated markets across the country. I could have scratched my behind and picked my nose at the same time on the steps of St. Philips and poor Tee, jet-lagged and teen-surfeited, would not have noticed.

  When I woke myself in the middle of a hot May night, clawing my skin so that the blood ran, I made an appointment with Charlie Davies, and was distressed enough so that he worked me in at lunchtime the next day.

  “Well, Moonbeam, drop your britches and lay down here and let’s see what we got,” he roared, and I did, not really caring that the paper gown Charlie’s nurse had provided me with gapped significantly when I tied it around my waist. Charlie and Tee had been roommates at the University of Georgia, and I had known Tee only two weeks longer than I had Charlie. Charlie had married Carrie Carmichael, my Tri Delta sister, a week after Tee and I had married—we had all been in each other’s weddings—and we had kept the friendship going all through med school and internship and then practice for Charlie and the early and middle years at the Coca-Cola company for Tee. Charlie had probably seen my bare bottom more than once, given the house parties and vacations we f
our spent together.

  He had called me Moonbeam after Al Capp’s dark, statuesque, and gloriously messy backwoods siren, Moonbeam McSwine, since the first time we’d met. I allow no one else to do so, not even Tee.

  I rolled over on to my stomach and Charlie pulled back the paper gown and gave a long, low whistle. “Shit, Molly, has Big Tee been floggin’ you, or what? You look like you been diddlin’ in the briar patch.”

  Despite his redneck patter, Charlie is a very good doctor, or he would not have any patients. Atlanta is full of crisp, no-nonsense out of towners who would draw the line, I thought, at being told to get nekkid and lay on down, unless the one saying it was supremely good at what he did. Charlie was. In time, the good-ole-boy gambit became a trademark, a trick, something people laughed indulgently about at parties. If it secretly annoyed more than amused me, I never thought to verbalize it.

  “How bad does it look?” I said.

  “Honey, how bad can your sweet ass look? The day Tee married you the entire Chi Phi house went into mournin’ for that booty. Though now that you mention it, there seems to be a good bit more of it these days, huh?”

  And he slapped me gently on the buttock. I felt it quiver like jellied consommé under his thick fingers. There was indeed more of me now than when I had married. Where once people had looked at me and seen a tall, sinewy, sun-bronzed Amazon with a shock of wild, blue-black hair and electric blue eyes, now they saw a big woman—a really big woman—with wild, gray-black hair, all teeth and leathery-tanned skin and swimming, myopic eyes behind outsized tortoiseshell glasses. Then, they had stared at the slapdash, coltish grace and vividness that had been mine. Now they simply stared at big.

  “Christ, it’s a goddamned Valkyrie,” I had overheard someone say at last year’s performance of The Ring when it came to Atlanta. Tee and I had both laughed. I seldom thought about the added pounds, since they did not for a moment inhibit my life, and Tee never seemed to notice.

  “I mean the rash, or whatever it is, you horny hound,” I said now to Charlie.

  “Well, I’ve seen worse,” he said. “Saw jungle rot once, when I was a resident at Grady.”

  “Come on, Charlie, what is it? What do I do about it? I never had anything like this before.”

  “I don’t know yet,” he said, poking and prodding. “I’d say some kind of contact dermatitis, only you don’t have a history of allergies, that I remember. I’m going to give you a little cortisone by injection and some pills and ointment, and if it’s not healed by the time you’ve finished them, I’m going to send you to Bud Allison. We need to clear this up. I don’t imagine Tee is aesthetically thrilled by the state of your behind, is he?”

  “I don’t think he’s even noticed,” I said. “He’s been out of town so much with these new Coke things that all we’ve had time to do is wave in passing. It’s supposed to slack off in a couple of weeks, though, and I wish we could get rid of this by then. He’ll think I have been rolling around in the alien corn patch.”

  “Gon’ sting a little bit,” Charlie said, and I felt the cool prick of a needle. Then Charlie said, “I thought he was back by now. I saw him the other day over at that new condominium thing in midtown, the one that looks like a cow’s tit caught in a wringer, you know. I guess he was helping Caroline move in there; he was toting a palm tree so big only his beady eyes were peekin’ out of it, and she was bent double laughing. She’s a honey, isn’t she? The image of you at that age, thank God. Y’all must be real proud of her. She working around midtown?”

  He pricked me again.

  “That must have been somebody else’s beady eyes peeking out of that palm tree, Charlie,” I said. “Ow. That does sting. Caroline is married and living in Memphis, with a brand-new baby. Honestly. You knew that; y’all sent the baby a silver cup from Tiffany’s. Must have killed you to pay for it.”

  Charlie took his hand off my buttocks. He was silent for a space of time, then he said, “You get dressed and come on in the office, and I’ll write you out those prescriptions.”

  I heard his heavy steps leaving the examining room. I heaved myself up off the table. It hit me as I swung my bare legs over the side. The skin of my face felt as if a silent explosion had gone off in the little room. I actually felt the wind and the percussion of it. The room brightened, as if flood lamps had been switched on, and when I took a breath there was only a stale hollowness in my lungs. A new hot, red welt sizzled across my left buttock.

  “Tee has somebody else,” I thought. “He has had, since Christmas, at least. That was Tee Charlie saw. He knows it was. And that was her Tee was moving into that condo.”

  I sat for a moment with my hands in my paper lap, one cupped on top of the other, a gesture like you make in Communion, waiting to receive the Host. I could not seem to focus my eyes. My ears rang. Through it all, the skin of my behind raged and shrieked.

  I stood up, dropped my paper gown, put on my clothes, and went out of the little room and down the hall and out through the reception area to the elevator. I thought of nothing at all.

  When the elevator came, I got on with a handful of lunch-bound people, some in white coats, stared vacantly at the quilted bronze doors, and thought, the family. What is this going to mean for the family?

  By the time I stepped out on to the hot sidewalk running along Peachtree Street, I felt as if I were on fire from the back of my waist to my knees. I had the absurd and terrible notion that the weeping redness was sliding down to my ankles and puddling in my shoes, the visible stigmata of betrayal and foolishness.

  When I was small, my grandmother Bell lived with us for a time. She was a frail, sweet-faced little woman who was afraid of many things, including my mother, whose theatrical outbursts and exaggerations made her wince and shrink. Mother caught on to that in about one minute, of course, and often set about shocking and frightening Gran just for the sport of it. I suppose it was irresistible; even I, who adored Gran and often fled to her talcumy arms when Mother trained her silver arrows on me, wondered with the unforgiving contempt of the very young why Gran stood for it. But she always did. Her way of dealing with my mother and whatever else threatened her was simply to pretend that it did not exist. The sight of her chattering cheerfully about nothing and plying her small daily rituals while literally quivering all over like a terrified rabbit used to madden me, but I do it myself now. Like a savage who will not name or acknowledge a demon lest it draw the demon’s attention, I deal with awfulness by becoming a caricature of middle-aged suburban normality.

  I began doing it as soon as I stepped on to the sidewalk in front of Charlie’s office. I swung my bag jauntily over my shoulder, pulled my chin up and tucked in the offending fanny, and turned left down the long hill toward Peachtree Battle, finding a long, loose, city stride and swinging along with a happy-to-be-in-the-world smile on my face. I nodded to pedestrians who passed me and looked with interest and approval at the beds of impatiens and begonias in front of the Shepherd Spinal Center. I noted with another silly nod of my head the electric sign in front of the Darlington Apartments that kept track of Atlanta’s population: 3.7 MILLION. That sign was a source of annoyance to me most of the time; Atlanta’s mushrooming population had long since made streets and sidewalks impassable. But on this day I beamed at it with the fatuous pride that I had felt when Tee and I had lived in our first small house, in Collier Hills, and the sign meant to me that my upstart town was becoming a real contender, an honest-to-God city. Take that, New York, Chicago, L.A., I said today under my breath. I looked down at my prancing feet in approval: just the right plain, low-heeled Ferragamo walking shoes a well-grounded Atlanta woman should wear on a hot spring day. The weight of my bag thumped against my side, and I was pleased: just the right, well-worn, lustrous Coach handbag, nothing trendy or with initials on it that were not mine. All my totems were in order. But my heart was banging in slow, cold, breath-sucking beats.

  My chastely Cliniqued mouth smiled wider.

  I was nearly down
to the entrance to Colonial Homes Drive, where for decades all the singles in my set lived until marriage and the move to Collier Hills on the way to Habersham Road or Ansley Park, when I heard a voice I knew shouting at me from the eddy of traffic.

  Livvy Bowen was calling to me from her dirty old Saab, stopped beside me at a red light.

  “Where on earth are you going?” she yelled in her not unpleasant New England honk. Livvy came south for the first time from a Boston suburb ten years before, when her husband, Caleb, was transferred to Coke headquarters to work on Tee’s marketing team. Caleb was Harvard and Livvy was Radcliffe, and Atlanta was a thick stew of culture shock for both. Caleb had read the handwriting on the corporate walls and adjusted fast; Livvy never had. She hated the South in general, Atlanta in particular, liked Tee all right, and for some reason loved me. She had instantly, as I had her. Something in her raw bones and narrow, unmade-up face and acid tongue spoke to what my mother called the damnyankee in me. Mother spoke allegorically, of course; my parents were both Southern, back to their families’ arrivals from England and Ireland, and that was more than two hundred years ago. I knew what my mother meant, though, and so, apparently, did Livvy. In her mouth, “damnyankee” was not a pejorative term.

  “You’re the only woman I know below the Mason-Dixon line who doesn’t run by Saks on her way to the grocery store,” she said in the early days of our friendship, “and the only one who doesn’t own a Judith Leiber bag. Do you even know what a Judith Leiber bag is?”

  I didn’t then, and can’t remember now.

  I said nothing on this morning, only smiled brilliantly at her. I couldn’t think where to put her in this teetering new scheme of things.

  “You’ve got on lipstick and panty hose,” she said and grinned, gunning the hideous Saab’s engine. “Who’s died?”

  I continued to smile. “Hi, Livvy,” I ventured as the light changed. She did not move the Saab forward. Behind her, horns began to blow.